Saoirse

Niamh

Old Irish · “Derived from the Old Irish word "niamh" meaning "bright" or "radiant". The name belongs to one of the most celebrated figures of Irish mythology, Niamh of the Golden Hair, a princess of Tír na nÓg (the Land of Eternal Youth) who fell in love with the poet-warrior Oisín and carried him away on her white horse across the sea.”

Aoife

Old Irish · “Derived from the Old Irish "Aífe", itself from the word "oíph" meaning "beauty" (modern Irish "aoibh"). This ancient Irish name has been borne by several legendary figures, most notably a fierce warrior woman who engaged in single combat with the hero Cúchulainn, and a jealous queen in the tale of the Children of Lir who transformed her stepchildren into swans.”

Caoimhe

Irish · “Derived from the Irish word "caomh" meaning "gentle", "beautiful", or "precious". The name has been used in Ireland since the early medieval period and is associated with warmth, kindness, and quiet inner beauty. Several Irish saints bore forms of this name, reflecting its long tradition within Irish Christian culture.”

Brigid

Old Irish · “Derived from the Old Irish "Brigit" or "Bríg", meaning "exalted one" or "the high one", from a Proto-Celtic root "briganti" meaning "high, lofty, the exalted one". Brigid was one of the most important goddesses of pre-Christian Ireland, associated with poetry, healing, smithcraft, and the hearth fire. The Christianised Saint Brigid of Kildare (c. 451–525) became one of Ireland's three patron saints.”

Aisling

Old Irish · “Derived from the Old Irish "aislinge" meaning "dream" or "vision". The word also refers to a specific genre of Irish poetry, the "aisling", in which Ireland is personified as a beautiful woman who appears in a vision and laments the country's oppression. The name thus carries rich literary and political associations, with overtones of visionary idealism and the pursuit of an Ireland not yet achieved.”

Seán

“The Irish form of John, introduced from the Norman French "Jean" (itself from Latin Iohannes and Hebrew Yohanan meaning "God is gracious") following the Norman invasion of Ireland in the twelfth century. Seán quickly displaced the older native form "Eoin" as the most common Irish masculine name and has remained so, producing some of the most celebrated names in Irish cultural history — from Seán O'Casey to Seán Lemass.”

Conor

“Anglicised form of the Irish "Conchobar" or "Conchobhar", derived from "con" (dog or wolf, used as an honorific for a great warrior) and "cobhar" (desiring or loving) — together possibly meaning "lover of hounds" or "wolf-lover". Conchobar mac Nessa was the king of Ulster in the Ulster Cycle of Irish mythology, the lord who ruled over the great warriors including Cúchulainn.”

Oonagh

“Possibly an Irish form connected to "Una" or "Oonagh", from Old Irish "uan" meaning "lamb" or possibly from a root meaning "unity" or "one". In Irish mythology and folklore, Áine/Oonagh appears as a fairy queen — Oonagh was the queen of the fairies in many folk traditions, the wife of Fionnbarra, king of the Irish fairies, renowned for her golden hair that reached the ground.”

Keenan

“An anglicised form of the Irish "Cianán" or "Caonán", diminutive forms meaning "little ancient one" (from "cian", ancient) or "little gentle one" (from "caon", gentle). The name was borne by several early Irish saints, including Saint Cianán of Duleek, who is credited with founding one of the earliest stone churches in Ireland at Duleek in County Meath in the fifth century.”

Kiera

“An anglicised variant of the Irish "Ciarán" or the feminine "Ciara", from the Old Irish "ciar" meaning "dark", "black", or "dark-haired". Kiera represents the anglicised spelling used most commonly in the Irish diaspora, particularly in North America, where it gained prominence through Irish-American communities and the actress Keira Knightley (an alternative spelling).”

Caitlin

“The Irish form of Catherine, which entered Ireland from the Norman French "Cateline", itself from the Latin "Katharina" and Greek "Aikaterinē". Caitlín became fully naturalised in Ireland and is treated as a native name. It was famously borne by Caitlin Thomas, the Welsh wife of Dylan Thomas, whose memoir "Leftover Life to Kill" became a celebrated document of artistic grief and survival.”