Kamran

Shahram

Persian · “From Old Persian and Middle Persian "shāh" (king) and "rām" (peaceful, tranquil, happy), meaning "peaceful king" or "king of peace". The name Rām is also associated with the Zoroastrian deity of joy and peace, giving the name a spiritual resonance in Persian tradition.”

Bahram

Persian · “From Avestan "Verethragna", the Zoroastrian deity of victory and the personification of martial triumph, whose name passed through Middle Persian as "Wahram" and then "Bahram". Bahram is a name of kings and heroes in the Shahnameh, most notably Bahram Gur, the legendary Sassanid king celebrated for his hunting prowess and love of poetry.”

Farhad

Persian · “From Old Persian or Middle Persian, meaning "happy" or "joyful prosperity", related to Persian "farr" (divine glory or royal splendor). Farhad is the stonecutter who falls hopelessly in love with Shirin in the Persian epic Khosrow and Shirin by Nizami Ganjavi — his unrequited devotion, expressed through carving a milk canal through a mountain, became the archetype of self-destructive romantic obsession.”

Siavash

Persian · “From Avestan "Syāvarshān" or Middle Persian "Syāwaxsh", meaning "owner of the black stallion" or "black stallion" — combining "siyāh" (black) and "asp" (horse). Siavash is one of the most beloved and tragic figures in the Shahnameh: a prince of exceptional purity and beauty who is falsely accused by his stepmother and seeks exile, only to be murdered in a foreign land.”

Sohrab

“From Old Persian or Middle Persian, possibly meaning "red water" or "brilliant red" (from "sūr" meaning red/brilliant and "āb" meaning water). Sohrab is the tragic son of Rostam in the Shahnameh — a young hero of extraordinary bravery who travels to find his father, only to meet him in single combat, where neither recognizes the other until Sohrab is mortally wounded.”

Golnaz

“From Persian "gol" (flower, rose) and "nāz" (coquetry, grace, pride, affectation), meaning "the grace of the flower" or "the coquetry of the rose". In Persian, "nāz" carries a positive connotation of the endearing affectation and playful coyness of a beloved — an untranslatable quality of graceful pride that makes someone irresistible.”

Mirza

“From Persian "Mirzā", a contraction of "Amīrzādeh" meaning "born of a prince" or "son of a prince/lord" — from "amir" (prince) and "zādeh" (born of, son of). The title Mirza was used across the Persian, Mughal, and Ottoman empires as an honorific for men of noble birth and later as a mark of education and gentility even among the non-noble.”

Kian

“From Old Persian "Kay" or "Kayan", a title of ancient Iranian kings meaning "king" or "royal". The Kayanid dynasty was the legendary ruling house of ancient Iran in the Shahnameh, and names beginning with "Kay" or "Kian" carry connotations of ancient royal dignity. Kian is also related to Avestan "kyā" (being, existence) and in modern Persian is associated with the concept of existence and essence.”

Siavash

“From Avestan "Syāvarshān" or Middle Persian "Syāwaxsh", meaning "owner of the black stallion" or "black stallion" — combining "siyāh" (black) and "asp" (horse). Siavash is one of the most beloved and tragic figures in the Shahnameh: a prince of exceptional purity and beauty who is falsely accused by his stepmother and seeks exile, only to be murdered in a foreign land.”

Kaveh

“From Avestan "Kavi" or Old Persian "Kāva", relating to the ancient priestly-royal caste of seers in Iranian tradition. In the Shahnameh, Kaveh the Blacksmith is the heroic commoner who rises against the serpent tyrant Zahhak and whose leather apron, raised as a standard, becomes the legendary Derafsh Kaviani — the royal banner of Persia for over a thousand years.”