Character Name
Siavash
Siavash Siavash embodies the devastating fragility of absolute virtue in a corrupt world — a name for characters of extraordinary moral beauty who are destroyed precisely because their goodness makes them unable to compromise with the forces arrayed against them. Characters named Siavash inspire fierce protectiveness in those who love them.
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Famous characters named Siavash
Siavash
Shahnameh (Book of Kings) — Ferdowsi
The prince of unimpeachable virtue who passes through fire to prove his innocence, yet cannot escape a destiny of exile, betrayal, and death at the hands of enemies — a symbol of tragic, persecuted purity.
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Persian · “Derived from Old Iranian "Raodhastakhma" meaning "with a strong body" or "stout as a bull", rooted in Avestan words for strength and might. Rostam is the greatest hero of the Persian national epic, the Shahnameh (Book of Kings) by Ferdowsi, whose seven labors (Haft Khan) and tragic killing of his own son Sohrab are among the most dramatic episodes in world literature.”
Bahram
Persian · “From Avestan "Verethragna", the Zoroastrian deity of victory and the personification of martial triumph, whose name passed through Middle Persian as "Wahram" and then "Bahram". Bahram is a name of kings and heroes in the Shahnameh, most notably Bahram Gur, the legendary Sassanid king celebrated for his hunting prowess and love of poetry.”
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Persian · “From Avestan "Kavi" or Old Persian "Kāva", relating to the ancient priestly-royal caste of seers in Iranian tradition. In the Shahnameh, Kaveh the Blacksmith is the heroic commoner who rises against the serpent tyrant Zahhak and whose leather apron, raised as a standard, becomes the legendary Derafsh Kaviani — the royal banner of Persia for over a thousand years.”
Fereydun
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“From the Persian word "nasrīn" meaning wild rose or eglantine, referring to the delicate climbing rose that grows in Persian gardens and has been celebrated in Persian poetry for its beauty and fragrance since antiquity. The wild rose is a central symbol of beauty, love, and transience in the Persian poetic tradition.”
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Bahram
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Aslan
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