Last updated: March 2026

Character Name

Eimear

Meaning — Of Old Irish origin with uncertain etymology, possibly from "em" meaning "swift" or from a root related to "skill" or "craftsmanship". In Irish mythology, Eimear (also Emer) is the wife of Cúchulainn, chosen by him because she possessed the six gifts of womanhood: beauty, voice, sweet speech, wisdom, needlework, and chastity. She is one of the most fully realised female characters in Irish mythology.·Old Irish origin·Female·EE-mur

Eimear Eimear is a name of accomplished womanhood — not passive beauty but active excellence across multiple domains. The mythological Emer's complexity as a character who loves deeply, endures much, and acts with great dignity under impossible circumstances makes the name ideal for protagonists of depth and substance. Characters named Eimear tend to be accomplished in their chosen field, emotionally intelligent, and capable of both extraordinary loyalty and fiercely justified anger.

Best genres for Eimear

Historical FictionMythologyLiterary FictionContemporary FictionHistorical Romance

Famous characters named Eimear

Emer

The Ulster Cycle — Traditional Irish Mythology

The accomplished wife of Cúchulainn, celebrated for her six gifts of womanhood, who endures her husband's unfaithfulness with complex, active dignity.

Eimear

Only the Dead — Various contemporary Irish writers

A popular name in contemporary Irish literary fiction, its users drawing on the mythological tradition of the name's association with accomplished womanhood.


Variations & nicknames

EimearEmerEimer

Pairs well with

Eimear Ní FhorghaillEimear O'BrienEimear MacAllisterEimear McCarthyEimear FlanaganEimear Ní Bhriain

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Related names

Aoife

Old Irish · “Derived from the Old Irish "Aífe", itself from the word "oíph" meaning "beauty" (modern Irish "aoibh"). This ancient Irish name has been borne by several legendary figures, most notably a fierce warrior woman who engaged in single combat with the hero Cúchulainn, and a jealous queen in the tale of the Children of Lir who transformed her stepchildren into swans.”

Brigid

Old Irish · “Derived from the Old Irish "Brigit" or "Bríg", meaning "exalted one" or "the high one", from a Proto-Celtic root "briganti" meaning "high, lofty, the exalted one". Brigid was one of the most important goddesses of pre-Christian Ireland, associated with poetry, healing, smithcraft, and the hearth fire. The Christianised Saint Brigid of Kildare (c. 451–525) became one of Ireland's three patron saints.”

Grainne

Old Irish · “Possibly derived from the Old Irish "grán" meaning "grain" or "gráin" meaning "hatred" or "terror", though the exact etymology remains debated. In Irish legend, Gráinne is the passionate, wilful daughter of the High King Cormac mac Airt who refuses her arranged marriage to the aging hero Fionn mac Cumhaill and flees with the young warrior Diarmuid — one of Ireland's great romantic epics.”

Deirdre

Old Irish · “The etymology is uncertain, but possible derivations include Old Irish "derdriu" meaning "sorrowful" or "broken-hearted", or alternatively related to a root meaning "wanderer" or "she who chatters". Deirdre is the tragic heroine of one of the Three Sorrows of Storytelling in Irish mythology — the tale of Deirdre of the Sorrows — whose beauty was prophesied to bring ruin to Ulster.”

Maeve

Old Irish · “Anglicised form of the Irish "Méabh" or "Medb", possibly derived from an Old Irish word meaning "intoxicating" or "she who intoxicates" — connected to "mead" in its associations with sovereignty rituals. Queen Medb of Connacht is one of the most powerful figures in Irish mythology, the warrior queen whose desire for equal status with her husband triggers the great war of the Táin Bó Cúailnge.”


More Old Irish names

Muirenn

“From the Old Irish "muir" (sea) and "fionn" (white, fair, blessed), meaning "white sea" or "fair-haired one of the sea". Distinct from Muireann (which shares similar elements), Muirenn appears in Irish genealogical and mythological records. The sea element connects the name to the liminal world where Ireland meets the Atlantic, a geography that deeply shapes Irish imaginative culture.”

Conan

“Derived from the Old Irish "cú" (hound, warrior) or from a root meaning "high" or "chief" — giving possible meanings of "little warrior" or "little high one". Conan mac Morna was a figure in the Fenian Cycle, a member of the Fianna known for his sharp tongue and comic boastfulness. The name also has Breton connections through Saint Conan and a lineage of Breton/Cornish rulers.”

Emer

“Possibly derived from Old Irish elements meaning "swift" or related to the Proto-Celtic root for strength or readiness. Emer (also spelled Éimear) is the wife of the hero Cú Chulainn in the Ulster Cycle — but unlike most mythological wives, she is no passive figure. She is renowned for possessing all six gifts of womanhood: beauty, voice, sweet speech, needlework, wisdom, and chastity. She also successfully argues her case against a goddess for the right to her husband's love.”

Maeve

“Anglicised form of the Irish "Méabh" or "Medb", possibly derived from an Old Irish word meaning "intoxicating" or "she who intoxicates" — connected to "mead" in its associations with sovereignty rituals. Queen Medb of Connacht is one of the most powerful figures in Irish mythology, the warrior queen whose desire for equal status with her husband triggers the great war of the Táin Bó Cúailnge.”

Aoife

“Derived from the Old Irish "Aífe", itself from the word "oíph" meaning "beauty" (modern Irish "aoibh"). This ancient Irish name has been borne by several legendary figures, most notably a fierce warrior woman who engaged in single combat with the hero Cúchulainn, and a jealous queen in the tale of the Children of Lir who transformed her stepchildren into swans.”

Fionnbarr

“From the Old Irish "Fionn" (white, fair, bright) and "barr" (top, summit, tip), meaning "fair-headed" or "bright summit". The name is most associated with Saint Finbarr of Cork (c. 550–623 AD), the patron saint of Cork city, who founded a monastery at the site of the present Cork Cathedral on the River Lee. The monastery became a centre of learning that attracted students from across Ireland and beyond.”


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